Underplayed Gems

Alias Jimmy Valentine (1928)

Alias Jimmy Valentine poster
Directed by
Jack Conway
Genre
drama film, crime film
Country
United States
Runtime
1h 28m
Rated
NR
Rating
8.0 of 10 from 1 voters
Elsewhere
IMDb
The 3D catalogue: film cases on wooden shelves, with the cat sitting at the counter next to its greeting.

The catalogue in 3D

The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.

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How it feels

A former safecracker tries to leave his criminal past behind and start a new life. But when a loved one gets into trouble, he must decide whether to risk exposure by using his old skills.

fast-pacedlight-hearteddramaticsentimentaltenseplot-drivennostalgic

What happens

Alias Jimmy Valentine is a 1928 American sound part-talkie crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film features talking sequences along with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is based on the 1909 play Alias Jimmy Valentine by Paul Armstrong, which itself was based on an O. Henry short story. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley. Released on November 15, 1928, the film was Metro-Goldwyn-Mayer's first partially talking film. It was completed as a silent film before Irving Thalberg sent back Lionel Barrymore and William Haines to repeat their performances for the last two reels with sound. The film was shot in the middle of the night to avoid ambient noise infiltrating the soundtrack. Haines described the discomfort of working with sound: "You are confined to working quarters... that are almost airtight. You can hardly breathe, and in the hot weather it's like working in a boiler room... The sweat rolled off me until I could hardly stand it, and once I nearly felt like fainting". (from Wikipedia, CC BY-SA)

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