Folies Bergère de Paris (1935)
- Directed by
- Roy Del Ruth
- Genre
- comedy film, musical film
- Country
- United States
- Runtime
- 1h 20m
- Rated
- NR
- Rating
- 6.0 of 10 from 8 voters
- Elsewhere
- IMDb
The catalogue in 3D
The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.
How it feels
A music-hall star in Paris discovers he looks exactly like a wealthy business tycoon. This leads to a case of mistaken identity where the performer and the tycoon swap places for comedy and musical numbers.
lightheartedplayfulenergeticmusicalbreezywhimsicalfast-pacedold-fashioned
What happens
Folies Bergère de Paris is a 1935 American musical comedy film produced by Darryl Zanuck for 20th Century Films, directed by Roy Del Ruth and starring Maurice Chevalier, Merle Oberon and Ann Sothern. At the 8th Academy Awards, the “Straw Hat” number, choreographed by Dave Gould, won the short-lived Academy Award for Best Dance Direction, sharing the honor with “I've Got a Feelin' You're Foolin'” from Broadway Melody of 1936. The film, based on the 1934 play The Red Cat by Rudolph Lothar and Hans Adler, is a story of mistaken identity, with Maurice Chevalier playing both a music-hall star and a business tycoon who resembles him. This was Chevalier's last film in Hollywood for twenty years, and reprised familiar themes such as the straw hat and a rendering of the French song "Valentine". This is also the last film to be distributed by Twentieth Century Pictures before it merged with Fox Film in 1935 to form 20th Century Fox. Zanuck simultaneously produced a French-language version of the story, also directed by Roy Del Ruth, called L'homme des Folies Bergère. It stars Chevalier and Natalie Paley and Sim Viva. Because that film was intended for the French market, they shot scenes showing chorus girls bare breasted. When censor Joseph Breen heard of it, he insisted that the Production Code be enforced even in a film destined for another country. The American Film Institute catalog site describes Zanuck's losing battle with the censors. The Red Cat, which was produced for the Broadway stage by Zanuck, ran for only 13 performances, but the studio benefited from four film adaptations. The third and fourth versions were in Technicolor, these being That Night in Rio, (1941) directed by Irving Cummings (and starring Don Ameche, Alice Faye and Carmen Miranda) followed by On the Riviera (1951), directed by Walter Lang (and starring Danny Kaye, Gene Tierney and Corinne Calvet). (from Wikipedia, CC BY-SA)
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The Big Broadcast of 1936 (1935)
All the King's Horses (1935)- More like this film, on a shelf you can walk up to.It's the lit case on the top shelf.