Frankenstein Meets the Wolf Man (1943)

Directed by

Roy William Neill

Genre

horror film, science fiction film, werewolf film, crossover fiction

Country

United States

Runtime

1h 14m

Rated

NR

Rating

6.2 of 10 from 225 voters

Elsewhere

IMDb

The catalogue in 3D

The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.

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How it feels

Larry Talbot the Wolf Man is brought back from the dead when his tomb gets disturbed. He wants to find a way to end his cursed immortality and befriends Frankenstein's monster.

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What happens

Frankenstein Meets the Wolf Man is a 1943 American horror film directed by Roy William Neill and starring Lon Chaney Jr. as Larry Talbot (the Wolf Man) and Bela Lugosi as Frankenstein's monster. The script, written by Curt Siodmak, follows The Ghost of Frankenstein (1942) and The Wolf Man (1941), though with a number of retcons. Most significantly, Talbot only transforms into werewolf form during a full moon (rather than every night while wolfsbane is in bloom, as in The Wolf Man), which became a standard part of werewolf lore. The film involves Larry Talbot, who is resurrected when his tomb is disturbed. His search for a way to end his seeming immortality leads to his befriending Frankenstein's monster. Developed under the title Wolf Man Meets Frankenstein, the film was to have Chaney portray both Frankenstein's monster and the Wolf Man, an idea that was halted before production began because of the physical toll it would take on the actor. The script was filmed with the monster having lines of dialogue, which were removed after the production staff laughed at Bela Lugosi's delivery of the lines during a studio pre-screening. The film was released to what the authors of the book Universal Horrors described as "lukewarm reviews". The film was the first of a number of films that were later described as "monster rallies", involving having name-brand monsters interact with each other. Universal would follow this with House of Frankenstein (1944) and House of Dracula (1945). (from Wikipedia, CC BY-SA)

More like this

• House of Dracula (1945)
• House of Frankenstein (1944)
• The Wolf of the Malveneurs (1943)
• Bride of Frankenstein (1935)
• The Wolf Man (1941)
• The Mad Ghoul (1943)
• The Leopard Man (1943)
• Heaven Can Wait (1943)
• More like this film, on a shelf you can walk up to.It's the lit case on the top shelf.