Underplayed Gems

Eternity (1943)

Eternity poster
Original title
萬世流芳
Directed by
Bu Wancang
Genre
historical film
Country
Manchukuo
Runtime
2h 31m
Rating
8.0 of 10 from 1 voters
Elsewhere
IMDb
The 3D catalogue: film cases on wooden shelves, with the cat sitting at the counter next to its greeting.

The catalogue in 3D

The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.

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How it feels

This film tells the story of Lin Zexu and the First Opium War. It was made in occupied Shanghai during World War Two by Chinese and Japanese filmmakers working together.

propagandistichistoricalsombernationalisticambiguousmelodramaticausterepatriotic

What happens

Eternity (Chinese: 萬世流芳; pinyin: Wànshì Liúfāng) is a controversial 1943 Chinese film made in Japanese-occupied Shanghai during the Second World War. The film was a collaborative effort between the Japanese-controlled Manchukuo Film Association and Chinese filmmakers that remained in Shanghai under the Japanese-controlled Zhonglian Productions ("United China") brand. Telling the story of Lin Zexu and the First Opium War, the film was designed by producers Kawakita Nagamasa and Zhang Shankun to offer "an interpretive fluidity to accommodate every spectator's ideological position." For Japanese audiences, the film could be read as anti-Western, as promoting the ostensibly "anti-colonialist" agenda of the Greater East Asian Co-Prosperity Sphere. To Chinese audiences, on the other hand, the film promoted a spirit of resistance to a foreign enemy – namely, Japan – and upon its release garnered the largest audience in Chinese cinematic history. Ultimately the film, as well as the Shanghai-based filmmakers, were seen as tools of the enemy once the war was over, with many involved in the production (notably directors Bu Wancang, Ma-Xu Weibang, and Zhu Shilin) eventually moving to Hong Kong due to the hostile environment. (from Wikipedia, CC BY-SA)

More like this

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