Yolanda and the Thief (1945)
- Directed by
- Vincente Minnelli
- Genre
- fantasy film, musical film
- Country
- United States
- Runtime
- 1h 48m
- Rated
- NR
- Rating
- 6.0 of 10 from 13 voters
- Elsewhere
- IMDb
The catalogue in 3D
The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.
How it feels
A wealthy young woman in a fictional Latin American country prays for a guardian angel. A charming con man overhears her and decides to impersonate one to steal her fortune.
whimsicallushlightheartedfantasticaldatedslowextravagantartificial
What happens
Yolanda and the Thief is a 1945 American Technicolor MGM musical-comedy film set in a fictional Latin American country. It stars Fred Astaire, Lucille Bremer, Frank Morgan, and Mildred Natwick, with music by Harry Warren and lyrics by Arthur Freed. The film was directed by Vincente Minnelli and produced by Arthur Freed. The film was a long-time pet project of Freed's to promote his lover Bremer's career, but fared disastrously at the box office. An attempt to create a whimsical fantasy, it ended up, in the words of critic John Mueller, as "egg-nog instead of the usual champagne". Despite admirable production values, it ruined Bremer's career and discouraged Astaire, who decided to retire after his next film, Blue Skies. Perhaps it also vindicated Astaire's own horror of "inventing up to the arty"—his phrase for the approach of those who would set out to create art, whereas he believed artistic value could only emerge as an accidental and unpremeditated by-product of a tireless search for perfection. In his autobiography, Astaire approvingly quotes Los Angeles Times critic Edwin Schallert: "'Not for realists' is a label that may be appropriately affixed to Yolanda and the Thief. It is a question, too, whether this picture has the basic material to satisfy the general audience, although in texture and trimmings it might be termed an event." Astaire himself concluded, "This verified my feeling that doing fantasy on the screen is an extra risk." (from Wikipedia, CC BY-SA)
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Mexicana (1945)- More like this film, on a shelf you can walk up to.It's the lit case on the top shelf.