Underplayed Gems

Nazareno Cruz and the Wolf (1975)

Nazareno Cruz and the Wolf poster
Original title
Nazareno Cruz y el lobo
Directed by
Leonardo Favio
Genre
drama film, fantasy film
Country
Argentina, Mexico
Runtime
1h 32m
Rating
7.0 of 10 from 30 voters
Elsewhere
IMDb
The 3D catalogue: film cases on wooden shelves, with the cat sitting at the counter next to its greeting.

The catalogue in 3D

The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.

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How it feels

A man is cursed to turn into a wolf under the full moon. The story adapts the Argentine myth of the Lobizón and follows his struggle with his fate and his love for a woman.

melancholicmythicatmosphericslow-burntragicfolkloricvisually lushintimatehaunting

What happens

Nazareno Cruz and the Wolf (Spanish: Nazareno Cruz y el lobo, las palomas y los gritos; original title translatable as "Nazareno Cruz and the Wolf: The Doves and the Screams") is a 1975 fantasy drama film coproduced and directed by Leonardo Favio and starring Juan José Camero, Marina Magali and Alfredo Alcón. It was written by Favio and Jorge Zuhair Jury, Favio's brother and frequent script collaborator. The story works as an adaptation of the classical myth of the Lobizón, and it has become a classic film. It is also widely known as the most successful of all time in its country. With 3.4 million viewers it holds the national record ahead of El secreto de sus ojos. The film is a co-production between Argentina and Mexico. It was selected as the Argentine entry for the Best Foreign Language Film at the 48th Academy Awards, but was not accepted as a nominee. It was also entered in the 9th Moscow International Film Festival. In a survey of the 100 greatest films of Argentine cinema carried out by the Museo del Cine Pablo Ducrós Hicken in 2000, the film reached the 30th position. In a new version of the survey organized in 2022 by the specialized magazines La vida útil, Taipei and La tierra quema, presented at the Mar del Plata International Film Festival, the film reached the 17th position. Also in 2022, the film was included in Spanish magazine Fotogramas's list of the 20 best Argentine films of all time. (from Wikipedia, CC BY-SA)

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