Underplayed Gems

How Wings Are Attached to the Backs of Angels (1996)

How Wings Are Attached to the Backs of Angels poster
Original title
Como as Asas Estão Ligadas às Costas dos Anjos
Directed by
Craig Welch
Genre
animated short film
Country
Canada
Runtime
10 min
Rating
6.4 of 10 from 13 voters
Elsewhere
IMDb
The 3D catalogue: film cases on wooden shelves, with the cat sitting at the counter next to its greeting.

The catalogue in 3D

The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.

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How it feels

An animated short that explores themes of death and desire. It uses a surreal style influenced by a famous painting.

surrealdarkslowdreamlikesomberunsettlingminimalistatmospheric

What happens

How Wings Are Attached to the Backs of Angels is a 1996 animated short by Canadian animator Craig Welch, produced by the National Film Board of Canada (NFB). While Welch's first film with the NFB, 1992's No Problem, was influenced by the comic style of NFB animators Cordell Barker and Richard Condie, How Wings Are Attached to the Backs of Angels marked a distinct change in artistic direction, exploring such darker themes as death and desire, in a style that has been called "surrealistic." Welch has stated that one of the original influences for the film was Arnold Böcklin's painting Isle of the Dead as well as Norman McLaren's 1946 NFB animated short A Little Phantasy on a 19th-century Painting, which incorporates the Böcklin work. The film received commercial distribution in Canada as the opening film to screenings of David Cronenberg's film Crash. (from Wikipedia, CC BY-SA)

More like this

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