Copyright Criminals (2009)
- Directed by
- Benjamin Franzen, Kembrew McLeod
- Genre
- documentary film
- Country
- United States
- Runtime
- 1h 05m
- Rated
- PG-13
- Rating
- 6.8 of 10 from 9 voters
- Elsewhere
- IMDb
The catalogue in 3D
The film shelves have a room of their own that you can walk around in. The cat behind the counter is the AI Catbot, and they pick real films from the same catalogue when you tell them what you feel like watching. Nothing is for sale, here or in there. Go in from here and this film is already out on the counter, with more like it waiting on the shelf next to it.
How it feels
This documentary examines the creative and legal debates around musical sampling. It explores how hip hop artists use samples from existing recordings and the copyright disputes that arise when those samples generate money. The film interviews early sampling pioneers and looks at the commercial and legal sides of the practice.
informativethought-provokingbalancededucationalobservationalneutralanalyticalmeasured
What happens
Copyright Criminals is a 2009 documentary film directed and produced by Benjamin Franzen examining the creative and the commercial value of sampling including the related debates over artistic expression, copyright law, and money. Copyright Criminals was funded by the Ford Foundation, University of Iowa and John D. and Catherine T. MacArthur Foundation. It premiered in 2009 at the Toronto International Film Festival. It was broadcast nationally in the United States on 18 January 2010 on Public Broadcasting Service (PBS) on the documentary series Independent Lens. Sampling is when musicians make an audio montage taking a portion, or sample, of a sound recording and reusing, remixing or reworking it as a separate instrumental layer or loop into another song. It is popular with hip hop musicians. The documentary contains interviews with several sampling artist pioneers, including hip-hop groups. A longtime area of contention from a legal perspective, early sampling used portions of other artists' recordings without permission. Once hip-hop, rap and other music incorporating sampling began generating a noticeably substantial income, the original artists began to take legal action, claiming copyright infringement and demanding high-sum royalties. Sampling artists fought back, claiming fair use. The documentary took five years to finish (2004–2009). It is the debut film for Franzen, a graduate of University of Iowa and founder of Atlanta-based production company Changing Images, and Kembrew McLeod, a professor specializing in copyright law at University of Iowa. (from Wikipedia, CC BY-SA)
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Beef II (2004)- More like this film, on a shelf you can walk up to.It's the lit case on the top shelf.