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IndependênciaS (2022)

IndependênciaS poster
Genre
drama
Country
Brazil
Length
1 season, 16 episodes
Rated
16
Rating
7.0 of 10 from 2 voters
Elsewhere
IMDb

How it feels

This Brazilian series retells 19th century events from the arrival of the Portuguese royal family in 1808 to the death of Pedro I in 1834. It was produced for the country's bicentennial and offers a contemporary look at that history.

reflectiveeducationalhistoricalslow-paceddramaticcontemplativeformalsober

What happens

IndependênciaS was a Brazilian drama series in 16 episodes, produced and aired by TV Cultura every Wednesday at 10 p.m. and repeated at the same time on Sundays, in the period from September 7 to December 21, 2022. Written by Luis Alberto de Abreu, it was developed by director, film-maker, Luiz Fernando Carvalho, and responsibility for its script was also shared among Alex Moletta, Paulo Garfunkel and Melina Dalboni with the collaboration of Kaká Werá, Ynaê Lopes dos Santos, Cidinha da Silva and Tiganá Santana. The idea for the project had arisen on TV Cultura from an initial research conducted by journalist, José Antonio Severo. The series was premiered to coincide with Brazil's Bicentennial Day, making a contemporary rereading of the facts of the country's history in the 19th century, from the escape of the Portuguese royal family to Brazil in 1808 to the death of Pedro I of Brazil, in 1834, in Portugal. It is another partnership between Luiz Fernando Carvalho and playwright, Luís Alberto de Abreu, with whom the film-maker had already performed the mini-series Today is Maria's Day (Hoje É Dia de Maria), 'Capitu' and Stone of the Kingdom (A Pedra do Reino). The cast comprises a blend of renowned actors, such as Antonio Fagundes, Daniel de Oliveira, Isabel Zuaa, Gabriel Leone, Ilana Kaplan, André Frateschi, Celso Frateschi, Cassio Scapin, Rafael Cortez, Walderez de Barros and Maria Fernanda Candido, and newcomers, such as Alana Ayoká, Marcela Vivan, Veronia Mucúna, Jamila Cazumbá and Ywy'zar Guajajara. The premise of the series was the need to review the representation of historical processes, such as the Independence or Death painting, considered the most consecrated, widespread representation of Brazil's moment of independence. Referring to the portrait of Pedro Américo, director, Luiz Fernando Carvalho wrote, "It all seems false, a kind of fake news of the time, imperialist and exclusionary. We wondered: Where are the women? What happened to Maria Felipa, Leopoldina, Maria Quiteria and martyrs like Soror Joana Angélica, José Bonifácio, Frei Caneca and Chaguinhas? And other people too, anonymous heroes of so many popular uprisings? Where's Marisqueiras de Itaparica". (from Wikipedia, CC BY-SA)

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