Cries and Whispers (1972)

Original title

Viskningar och rop

Directed by

Ingmar Bergman

Genre

drama film, historical film

Country

Sweden

Runtime

1h 30m

Rated

R

Rating

7.9 of 10 from 785 voters

Elsewhere

IMDb

How it feels

In a late 19th century mansion, a woman is dying of cancer. Her two sisters and a servant care for her, but the sisters struggle with their own coldness and distance from one another.

bleakintimatevisually lushslow-pacedmelancholicemotionally rawsombermeditative

What happens

Cries and Whispers (Swedish: Viskningar och rop, lit. 'Whispers and cries') is a 1972 Swedish tragedy film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters (Ullmann and Thulin) confront their emotional distance from each other. Inspired by Bergman's mother, Karin Åkerblom, and his vision of four women in a red room, Cries and Whispers was filmed at Taxinge-Näsby Castle in 1971. Its themes include faith, the female psyche and the search for meaning in suffering, and academics have found Biblical allusions. Unlike previous Bergman films, it uses saturated colour, crimson in particular. After its premiere in the United States, distributed by Roger Corman and New World Pictures, the film was released in Sweden and screened out of competition at the 1973 Cannes Film Festival. Following two unsuccessful films by Bergman, Cries and Whispers was a critical and commercial success. It received five Academy Award nominations, including one for Best Picture (rare for a foreign-language film at the time). Cinematographer Sven Nykvist won the Academy Award for Best Cinematography, and Cries and Whispers won the Guldbagge Award for Best Film and other honours. The film inspired stage adaptations by Ivo van Hove and Andrei Șerban and influenced later cinema. It was commemorated on Swedish postage stamps referring to a scene in which Andersson and Sylwan replicate the Pietà. It is often ranked among Bergman's finest works. (from Wikipedia, CC BY-SA)

Trailer

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